Ranveer Singh’s Kantara Tribute at IFFI 2025 Sparks Outrage; Actor Issues Apology After Religious Sentiment Row

A segment intended as a light-hearted homage at the International Film Festival of India (IFFI) 2025 closing ceremony in Goa ended up triggering a controversy, after actor Ranveer Singh’s imitation of a climactic scene from Kantara drew sharp criticism from cultural groups and viewers online.

During the ceremony, Singh attempted to recreate the film’s iconic Daiva performance — originally portrayed by actor-director Rishab Shetty — but referred to the Daiva (Chamundi) as a “female ghost” while acting out the sequence with over-the-top expressions. What appeared to be an improvised, playful tribute on stage quickly drew backlash once clips circulated on social media.

Users accused Singh of trivialising a sacred tradition, noting that the Daiva ritual depicted in Kantara is deeply rooted in coastal Karnataka’s spiritual and cultural practices. Many said the portrayal was not merely inaccurate but disrespectful to a living religious heritage.

By late evening, as criticism mounted, Singh released a statement expressing regret. He clarified that the act was meant purely as admiration for Shetty’s performance and was not intended to mock any belief system.

“My attempt was only to celebrate the incredible artistry behind Kantara,” Singh said. “I hold every Indian tradition in the highest respect. If my performance has hurt anyone’s sentiments, I sincerely apologise.”

The issue intensified further when a local cultural organisation lodged a police complaint, alleging that the mimicry amounted to a derogatory depiction of a sacred practice. The group demanded action, arguing that public platforms must show sensitivity toward faith-related customs.

IFFI officials have not yet commented on the incident or the complaint. Meanwhile, industry insiders noted that while tributes are common at award functions, performers must navigate portrayals rooted in religious or cultural significance with care — especially in an age when audiences respond instantly and vocally online.

The situation is expected to evolve as authorities review the complaint and stakeholders from the cultural community weigh in.

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